Still, in order that the "accessory" may be introduced
into the liturgy and yield its fruits, care must be taken to fulfill two
conditions:
that the "accessory" does not become something cumbersome or more
important than what is "essential", "substantial", or ,'modal", and that
it does not become, for example, an opportunity for entertaining the congregations
that have gathered in the first place to participate in the Church's liturgy
(recall the famous "collage" pastoral letter [of the French bishops],
which now clutters our sanctuaries with brightly colored posters and felt
banners that are supposed to testify to the so-called participation of
children in the liturgy).
that the "accessory" does not make us lose sight of the "noble simplicity"
that the rites should have (cf. SC 34).
Did Jesus "invent" a Christian liturgy?
Christian liturgies, whatever their forms may be, have their origin in
the words spoken by Christ on Holy Thursday: "Do this in memory of me."
We too often forget that without this commandment, which is disarming
in its simplicity, we would never have had a liturgy. Should these words
of Jesus be considered unique, original, "revolutionary"? Must we see
in them a regulation that obliges believers to depart from the religious
framework of the Jewish era in order to invent something entirely new?
Not at all. In the time of Christ, indeed, all of the Jewish laws had
become identified with liturgical regulations that Mary, Joseph, and then
Jesus himself observed faithfully. [2] Now, in his teaching and in his
conduct, Jesus always affirmed the necessity of observing the law "to
the letter", without changing a single iota. Christ simply wanted to fulfill,
to complete these commandments with a supreme law that summarized them
all: the law of love. That was the novelty.
Jesus would have had plenty of reasons and occasions to rail against all
the abuses, the exaggerations, and all the liturgical deviations of his
day. However he never did so: at no point do the Gospels present him to
us in the guise of a proponent of liturgical reform, much less of a new
liturgy. To the Apostles who ask him how to pray, he does not reply by
inventing a "new" prayer; he is content to take up again the main themes
of daily prayers and of the psalms, which he prefaces with the traditional
invocation "Our Father, who art in heaven".
Finally, when Jesus institutes what will become the heart of all Christian
liturgical prayer, the Eucharist, he makes the institution of his Paschal
Mystery coincide with the anniversary of the Passover of Moses, in order
to underscore the fact that the sacrament of the New Covenant is the prolongation
and fulfillment of the Old Covenant.
The Apostles are faithful to the liturgical heritage
The Apostles, too, following the example of Jesus, did not create a new
liturgy; in the Acts of the Apostles, we see them "day by day attending
the temple together and breaking bread in their homes" (Acts 2:46).
This conjunction of two loyaltiesfidelity to the Jewish liturgy
on the one hand, and fidelity to Jesus' commandment ("Do this in memory
of me") on the otherillustrates perfectly how compliance with a
commandment just received is registered within the continuity of a liturgical
prayer that is already venerable.
Over the course of the centuries this apostolic fidelity will find its
expansion and its fulfillment in all the Christian liturgies, always proceeding
by way of evolution and not by revolution.
The organization of the Christian liturgy and the progressive establishment
of rites
Judeo-Christian in its origin, the newborn liturgical prayer of the Church
will espouse cultural and therefore cultic forms of a more universal character
as it gains non-Jewish neophytes, without thereby denying its Semitic
and Old Testament origins.
At Jerusalem and then in Antioch, in Alexandria, in Rome, and later on
in Byzantium, the same evangelical teaching, the same apostolic succession
[filiation], and the same liturgical prayer unite all the Christian
communities of the Empire, both in the eastern part and in the western
part.
Although circumstances require that it be celebrated, during three centuries
of persecution, in private dwellings or subterranean cemeteries, the unfolding
of the principal liturgical act (the "breaking of the bread") is appreciably
the same everywhere.
To the Eucharistic anaphora, which constitutes the "essential component"
of the liturgy (the offertory, narrative of the Last Supper, Consecration,
and Communion), other elements are gradually added: readings from the
Letters of the Apostles, excerpts from the Gospel, prayers of intercession,
processions, recitation of the Apostles' Creed and of the "Jesus prayer",
and prayers of thanksgiving, etc., which will form the "substantial component"
of the [particular] rite.
Liturgy and orthodoxy
In the fourth century, the end of the persecutions means for all of Christianity
a new springtime and a flourishing, which is both theological and liturgical.
But the five mother churches (the apostolic Patriarchates of Jerusalem,
Antioch, Alexandria, and Rome and, later, Constantinople) must now fight
together against the first great heresies in order to preserve the true
faith, or "orthodoxy". Reverence for the liturgy that has been handed
down is what will guarantee fidelity to the true faith.
Thus, during the entire first millennium, unity of faith will be maintained
along with unity of liturgical prayer.
Yet, even if the liturgical unity remains quite evident, it does not exclude
legitimate differences, principally in the exterior forms and expressions
of worship.
Indeed, the different cultures in which these churches take root and develop
bring forth various cultic forms. So it is that in every liturgy the "accessory
components", which are closely bound up with the local cultural contexts
and associated with the "substantial components" of the worship as an
expression of Christian prayer, give rise to different rites.
It is very important to recall here, in connection with the rest of our
study, that the diversity of rites in the Church has never been the product
of division among Christians, nor of any sort of anarchy, nor of a refusal
to allow tradition to evolve; rather, it is the product of an "inculturation"
willed by Christ himself, so that his Church might be at the same time
"orthodox", faithful to her true beliefs and the true praise of God, [3]
and also "catholic", faithful to her universal mission. [4]
Endnotes:
[1] Although we will place Gregorian chant in the modal part, since it
is characteristic of the Roman rite and makes it possible to unify the
essential and substantial parts of the liturgy, we will include the Latin
language, considered in itself, in the accessory part of the liturgy,
basing this decision on the teaching contained in the Preamble of the
Roman Missal (section 12): "The Second Vatican Council, like that of Trent,
examined in depth the didactic and pastoral nature of the liturgy. And
since there is no Catholic who would deny that the rite carried out in
the Latin language is legitimate and efficacious, it was able to concede
. . . . that the use of the living [vernacular] language can often be
very useful for the people, and it permitted its usage."
[2] Furthermore, it was in the area of liturgical observances, rather
than that of his teaching, that the enemies of Christ sought at first
to find fault with him.
[3] Cf. John Paul II, Letter Orientale Lumen ["Light of the East",
May 2, 1995].
[4] The present chapter is to a great extent inspired by a conference
given by Bishop Bernard Dupire at the Pro Liturgia Association,
79, rue du Général De Gaulle, 67560 Rosheim, France.
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Denis Crouan holds a doctorate in theology. He is an organist, a
choirmaster, a specialist in Gregorian Chant and a professor of literature
and history. He is also the president of Pro Liturgia, an association dedicated
to promoting the true reform of the liturgy as intended by Vatican II. He
is the author of The
Liturgy Betrayed and
The Liturgy after Vatican II.
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