Cinema Vita means "Films for Life" | January 11, 2008 | IgnatiusInsight.com
Cinema Vita means "Films for Life" | Ignatius Insight | January 11, 2008
http://www.ignatiusinsight.com/features2008/cinema_vita_jan08.asp
Film festivals are more popular than ever. A
Google search for
the term "film festival", for
example, produces 23 million links. Some
festivals specialize in a particular
theme or genre (horror movies or documentaries), while many cater to
independent films, some of which reflect certain cultural or ideological
viewpoints. For young filmmakers, festivals can be valuable avenues for presenting their
work to a wider audience and gaining financial backing, as well as the
attention of critics. And well-known festivals such as Cannes (France),
Sundance (United States), and Raindance (England) have a tremendous influence
on the movie industry, especially in shaping critical expectations.
But what about a pro-life
film festival? Has one ever been held? It doesn't appear that such a festival
has ever existed—until now, with
the first annual Cinema Vita Film Festival, to be held on March 7,
2008, in San Francisco.
The Cinema Vita Film Festival has been established to encourage young, emerging filmmakers and to
showcase movies about contemporary issues concerning the meaning and value of
life. Coordinated by the San Francisco Archdiocesan Office of Public Policy,
the Oakland Diocesan Respect Life Ministry,
Marriage for Life, and Ignatius Press, the festival is based on the recognition
that art, especially the medium of film, shapes the popular imagination and has
a tremendous influence on culture.
Eva Muntean, who works in the Ignatius Press marketing office and is co-chair of the annual Walk for Life
West Coast, is on the organizing committee for the festival. "All forms of
media should be used to spread the Gospel and give glory to God," she
remarks. "Cinema is no different and the production of family values,
pro-life movies is desperately needed to reach the masses in our modern
age." She recognizes that many Christians and, more importantly, many
non-Christians, are put off by poorly made or polemical films. "Why is it
today that films that reflect a positive view of the family and of life are not
normally well made or professional? That needs to change. Cinema Vita is a necessary step in bringing about
that change."
Another organizer, Vicki Evans, who works for the Office of Public Policy & Social Concerns for the
Archdiocese of San Francisco, says that the Cinema Vita Film Festival is meant
to encourage the exploration, through cinema, of the deepest questions asked by
man: "What is life? Why and how is it sacred? Where do we come from? These
are questions found in every human heart. And filmmakers, through their art,
are able to draw them out and explore their significance in ways that are
challenging and engaging."
The recent critical and
commercial success of movies ranging from Mel Gibson's The Passion of the
Christ to Bella indicates that many people are hungry for more than
ordinary cinematic eye candy; they want to see films examining difficult but
vital subjects and issues. A January 5, 2008, review on www.Lifenews.com of the recently
released movie Juno observes, "There are a whopping four recently released movies dealing with the theme
of rejecting abortion: Juno, Bella, Knocked Up and Waitress."
Catholic author Colleen Carroll Campbell, in a December 27, 2007, column for The St. Louis-Post
Dispatch notes that the writers and directors behind Juno, Knocked Up,
and Waitress, "are Gen Xers raised in the wake of the sexual revolution and the legalization of abortion.
Under the cover of crudeness, their comedies pointedly mock the hollow values
of their postmodern upbringing: the clinical soullessness of their sex
education classes, the simplistic assumption that sex is just another contact
sport for which condoms offer sufficient preparation and protection and the
puerile fear of commitment and disregard for human life that feed our
astronomical abortion rates." While acknowledging the vulgarity and offensive
material readily evident in those three movies, she writes, "Still, there is no
mistaking the pro-life theme running through these stories and the cultural
shift they signify."
Such a cultural shift—from
a culture of death to a culture that is at least open to life—is the hope
at the heart of the Cinema Vita Film Festival. Filmmakers who participate in
the festival are encouraged to think of new and different ways to approach the
meaning and sacredness of life. Focusing on unplanned pregnancies is just one
of many possible approaches; the inherent dignity given by God to every person shines
forth, for example, in the infant with cerebral palsy, down-syndrome or
autistic child, the medical student, the underdog athlete, the terminally ill
spouse, the frail parent, the person limited to a wheel-chair person, and the
inmate on death row.
Submissions to the festival
are to be 3-to-5 minute original films. They can be entered in one of three
divisions: high school, college and an open category. Films will be judged
based on the overall impact of their message, the storyline/plot, technical quality,
and appeal to a broad audience. Prizes for each category include $250 plus valuable in-kind prizes chosen to encourage emerging
filmmakers. For submission guidelines,
prizes, and other information on sponsorships, timetable and prizes,
please visit www.cinemavita.org or call 415-387-2324.
The Cinema Vita Film Festival will take place at the
Delancey Street Theater, 600 Embarcadero, San Francisco, on Friday evening,
March 7, 2008 from 6 to 10 PM. It will feature a premier presentation of the
internationally acclaimed movie, After the Truth,
a German film that portrays the fictional trial of
Dr. Josef Mengele, the angel of death of Auschwitz. It won several awards at
international film festivals and has been described by as "Gripping and
surprisingly moving" (Variety) and
"Utterly engrossing, provocative and impeccably acted" (Detroit Free Press).
Sponsorships are currently being sought with one of the benefits being admission to a Pre-Screening Cocktail Reception in February 26,
2008.
Related IgnatiusInsight.com Articles:
"Bella" | Steven Greydanus
"Sometimes you just have to trust and believe" |
An interview with Sydney Penny about the movie, Bernadette
The Life of the Mind | An interview with cultural
critic Roger Kimball
Evangelizing With Love, Beauty and Reason |
An Interview with Joseph Pearce
Narnia: The Lion, the Witch and the Wardrobe: Not Quite a Movie Review | James Como
The Moral Bankruptcy of Million Dollar Baby |
Mary Jane Owen
The Case Against Abortion: An Interview with Dr.
Francis Beckwith | Carl E. Olson
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